With Huang lvxia's help, she has been promoted to Zhengyin Xiaosheng for several years. She often plays in the countryside. She first performed Cantonese Opera in Tiantai amusement park in Guangzhou. She took part in the all girls class named "Jinghua Yanying". She first performed Xiaosheng, then Wenwu Sheng, and most of her performances were from Ma school (MA Shizeng).
After that, she went to other places and became famous in Wuzhou and Foshan. Her famous work was waiting for the moon in the west chamber. Anhua's Cantonese Opera Theater in Tiantai Amusement Park attracted her to join the all women's class "Qunfang Yanying" troupe. In 1939, she took the lead in "Qunfang Yanying". By this time, her acting style had changed from Ma school to Gui school (GUI Mingyang).
Soon after, she joined the "plum blossom shadow" Cantonese Opera Troupe and worked with Tan Lanqing. She often moved from Guangzhou to Macao to perform. She disguised herself as a man and performed as a civil and military student. Most of her performances are literary dramas. Because of her perfect voice, color and art, her appearance is pretty and elegant, and she has no daughter's manner. Many female audiences, such as wives, girls and even mothers, are attracted by her, and have won the "three girls" award
It's a great reputation.
Ren Jianhui originally planned to return to Guangzhou after performing several plays in Macao. Unexpectedly, one performance would take ten years. From 1935 to 1945, Ren Jianhui performed in Macao. He served as the pillar of many Cantonese opera troupes, such as Qunfang Yanying (later renamed Jinghua Yanying), Meihua Yanying (with Chen peimei), Jinxing Troupe (with Tan Lanqing), Jinxing Troupe (with Tan Lanqing) and Sanwang (with Tan Lanqing). However, in terms of importance and breakthrough, it is Xinsheng troupe At that time, Ren Jianhui was Wen wusheng, Chen Yannong was the official seal, and Bai Xuexian was the second group of Huadan. With strong matching, Xinsheng became the longevity class bully at that time. Ren Jianhui in the new sound era no longer has the style of GUI Mingyang, but has his own style of "Ren school" performance, and uses "Ren tune" singers to perform. The opera treasures include "my wife in the morning, my sister in the evening" and "a dream of Red Mansions".
Move to Hong Kong
After the victory of the Anti Japanese War, her "new sound Troupe" moved to perform in Hong Kong, which also gained a lot of popularity. Members were attracted by various troupes to join, and "new sound Troupe" was dissolved. Since then, she has been performing in Hong Kong, and has not been on the stage since 1969. In the 1950s, she organized many troupes, such as "Jin Fengping" and "Hongyun". She also participated in many famous Cantonese opera troupes, such as "big phoenix" (with the partner of famous Cantonese Opera actor Xue juexian). She also participated in the performances of "Nuwa Lian Shi Bu Qing Tian" and "Yan Yang Tian" (with the partner of Fang Yanfen). Her opera treasures include "Liang Zhu hen Shi", "Luo Shen" and "Huowang Fangong 10" Four years. After the mid-1950s, Ren Jianhui cooperated most with Bai Xuexian. In 1956, she and Bai Xuexian organized the xianfengming opera company. She and Bai Xuexian are the best partners on the stage. She has starred in many famous dramas, such as "nine days Xuannv", "three years cry Erlang bridge", "emperor flower", "Purple hairpin", "butterfly shadow red pear", "Peony Pavilion dream", "White Snake new biography" and so on. Ren Jianhui contributed a lot to Cantonese Opera and had a far-reaching influence in her life. From her debut to her retirement, she has been famous on the stage for decades without interruption and depression. After she quit the art world, she is still deeply respected and loved by fans and people in the industry, which is rare among Cantonese opera artists.
Before the war, she played in the film mystery night (1937). In 1951, she starred in the first film "love trapped Wu pan an", directed by Chen PI. From 1951 to 1967, she starred and participated in more than 300 films, nearly 290 of which were starred by her. Most of her leading roles are Cantonese Opera films, and almost all of her famous Cantonese operas have been put on the screen, such as three years crying Erlang bridge, old friends coming at the entrance of Pipa alley, cuckoo blossoming in the spring of emperor yuan (1951), morning wife and evening sister-in-law (1952), love of Mount Fuji (1954), Luoshen (1957), 14th year of Huowang Vatican Palace (1958), poor girl (1959), zichaiji (1959) They are: Emperor's daughter flower (1959), butterfly shadow and red pear story (1959), White Rabbit Club (1959), Jinfeng cutting Jiaolong (1961), Hongling blood (1964), shizou Yansong (Dahongpao, 1965), etc. Most of the outstanding and outstanding Cantonese Opera films produced in Hong Kong are starred by her.
The last film she starred in was queen Li, which was released in 1968. In 1964, Ren Jianhui and Bai Xuexian spent a lot of money to shoot "empress Li Zhu" as a farewell work. It took more than four years to complete "empress Li Zhu" with a production cost of 1.5 million, which became a good story. It set a record for the largest production, longest release period and highest income of Cantonese films. In 1972, Ren Jianhui and Bai Xuexian raised money for the "June 18 flood", which became the last public performance. Then she quit the art world because of health problems.
Chen Baozhu, a famous film actor, is her favorite student. After leaving the art world, she and Bai Xuexian continued to guide and cultivate the "young Fengming Opera Troupe" organized by their disciples long Jiansheng, Mei Xueshi, Jiang Xuelu, Zhu Jiandan, Yan Xuefen, etc., until they supported it to become a famous and unprecedented long-term Cantonese Opera Troupe bully. They have made great contributions to the innovation of Cantonese Opera and the cultivation of its successors.
Ren Jianhui had a marriage in his early years. His husband's name was Huang su. The marriage lasted only a short time, and the two ended up breaking up.
In her early years, Ren Jianhui's stage name was "Ren Jiaohao". Moreover, she was nicknamed "Xie Zihao" because she often acted as a traitor in her early years. This is not well known.
Before Bai Xuexian, Ren Jianhui had a very close same-sex confidant Xu Xinxin in his early years. Later, because of Xu's reversion, they gradually drifted away.
Ren Jianhui had been in poor health since he quit Cantonese opera. At 3:50 a.m. on November 29, 1989, he died of lung cancer at his home in Happy Valley, Hong Kong. He was 77 years old. Later, Bai Xuexian set up the Ren Bai charity fund, which reprinted their farewell work Li Houzhu in 1990.
She has 40 years in class
Speaking of Ren Jianhui in Hong Kong is really well known to all women and children. Her original name is Ren Wanyi and Ren Jianhui is a stage name. Her class is over forty years old. After the Sino Japanese War, she was a civil and military student of Zhengliang Zhengzhu. At that time, it was performed in Tiantai theater of Guangzhou shibafu Zhenguang department store. With her partner is xiaoyaoxian, and later with Xu Xinxin. Xiaoyaoxian changed her name to Lu Xiaoxian during the Anti Japanese War and LAN Yin made movies after her recovery. Xu Xinren and Ren Jianhui had the most harmonious relationship. They were in pairs at that time, just as they are with Bai Xuexian today. Xu Xinren is very beautiful. A musician who enjoys a high reputation in Hong Kong did not get married because he was lovelorn with her. He was still a Wang Laowu in his fifties.
At that time, the rooftops of two other department stores were set up as playgrounds, while the Zhenguang company had only one Cantonese opera, which was run by Pan Buyun, the respected man of Pan Shan, who is now in Hong Kong. Pan Buyun was the president of the district court, and his daughter was the first female lawyer in Guangzhou. He likes Gu Qu, so he runs the Guangdong theater in Zhenguang Tiantai. Many famous actresses come from his company, including Ren Jianhui.
Chen Pimei, the female disciple of Xue juexian, is the commander of Daxin Tiantai. Huang lvxia was the commander of Xianshi Tiantai. She imitated Ma Shizeng in singing and acting, so she was also known as female MA Shizeng, and Ren Jianhui's master was her. After the restoration, Ren Jianhui was popular in Hong Kong, but Huang lvxia was old, and Ren Jianhui raised her. Huang lvxia died in Hong Kong in 1959. Ren Jianhui was responsible for her death. This apprentice is really rare. It turns out that Ren Jianhui is a good man who can be filial to both his mother and his teacher, but she is destined to send her master to the end, but she is not destined to send her mother to the end. When her mother died, she was performing on the embankment.
Ren Jianhui has enjoyed a good reputation for decades, which can not be regarded as a miracle. She plays Wen wusheng's plays as a woman, and as a rule, she will not be "lost". What's wrong with the stage art of male Huadan? However, male Huadan has been eliminated by the times. In the era of women's class, civil and military students should be eliminated as usual. It's not fashionable for men to disguise themselves as women, but how can it be fashionable for women to disguise themselves as men? After the restoration of China, Ren Jianhui was not the only female civil and military student, including Chen Pimei, Zheng Shaoying, Liang Wuxiang and Liang Huaheng, but they were all depressed. However, Ren Jianhui not only dominates the stage, but also dominates the screen, which is a miracle.
Her fans are female
The foundation for Ren Jianhui is likely to come from the new sound troupe, which she performed for a long time in Macao during the fall of Hong Kong. At that time, he was Ren Jianhui, a Wenwu student, Chen Yannong, a Huadan student, and Ou Yangjian, an ugly student. A "morning wife and evening sister-in-law", the most popular. At that time, many of the people living in Macao were wealthy families who had taken refuge from Hong Kong. When they returned to Hong Kong, they had an impression of Ren Jianhui, which made Ren Jianhui win the support of many fans. Ren Jianhui's fans can also be said to be a miracle. She is a woman, but she is attracted by the same sex. All the fans are women. Some of them are female students, most of them are pretty maids, bird clothing teams of big families, and even more strange are many nuns who become nuns. These pretty maids and nuns, watching Ren Jianhui's performance, must be "big guests". At that time, the ticket price of "Da Wei" was 8.9 yuan, which was very expensive in terms of the currency value at that time. The monthly salary of the pretty maids was only about 30 yuan, so one night's play cost them one third of their monthly salary. Although the income of a nun is unknown, it is rare for a nun to spend as much as his wife.
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