Daur lurigele dance

The name of China's national intangible cultural heritage: Daur lurigele dance

Declaration area or unit: Molidawa Daur Autonomous Banner, Inner Mongolia Autonomous Region

Item No.: 131

Project No.: Ⅲ - 28

Time of publication: 2006 (the first batch)

Category: traditional dance

Region: Inner Mongolia Autonomous Region

Type: new item

Declaration area or unit: Molidawa Daur Autonomous Banner, Inner Mongolia Autonomous Region

Protection unit: cultural center of Molidawa Daur Autonomous Banner

Introduction to Daur lurigele dance

Declaration area or unit: Molidawa Daur Autonomous Banner, Inner Mongolia Autonomous Region

"Lurigele" is a representative folk dance of Daur nationality. It varies from place to place and has several different appellations, such as "ahambe", "langtudabe", "hakumai" and "hagenmelleg".

In the Daur inhabited areas of Inner Mongolia and Nenjiang River Valley of Heilongjiang Province, "lurigele" dance is a general term for its folk dance, which is mostly self entertainment dance performed by women. According to textual research, "lurigelebe" in Chinese means "burning" or "flourishing", while "lurigelebe" in Da language can be extended to "jump up". Because the performance while dancing called "Humber, Humber", so "lurigele" is also known as "Humber dance".

"Lurigele" dance has a long history. According to historical records, the ancient Daur gathered on the lawn of the village in the spring night and danced around the burning bonfire. You call me call. After working, he expressed his heart in the form of dance, adjusted his spirit and eliminated fatigue. It can be seen that "lurigele" is closely related to the production, life and customs of the Daur people.

Daur people are good at singing and dancing. "Lurigele" is mainly a group dance, which mainly shows hunting life and labor scenes. During the performance, the dancers' upper body and arm movements are relatively rich, and the basic steps are side sliding steps. At the beginning of the dance, the dancers sing slow and light dance songs. The dancers dance gently with the songs, and the bystanders can join the team at will. The dance atmosphere is good When the dance reaches its climax, it simultaneously sends out short and funny calls such as "zhe heizhe" and "de Huda", and steps out a powerful beat on its feet. "Lurigele" comes from the labor, production and life of Daur people. Therefore, the dance includes collection, water lifting, fishing, flying, birds fighting and dance images. Nowadays, in the original area of lurigele dance, this kind of folk dance has been neglected, facing the crisis of lost, so it is urgent to take protective measures.

Daur people are good at riding and shooting, singing and dancing. The rurigle dance of Daur nationality living in Heilongjiang Province is also called "hakumale". On the one hand, it has the characteristics of traditional hunting song and dance, such as retaining the circle formation from the original hunting bonfire song and dance, imitating the call sign of animal roar and bird song, etc., on the other hand, it has great development, such as the formation has a variety of changes, the number of new songs is increasing, the content of song and dance is more extensive, the lining words are more rich and unique, etc. What is more worth mentioning is that hakumale's song and dance has a relatively clear "Three-stage" performance program. In the first stage, "Bi song" is mainly composed of song, supplemented by dance; in the second stage, "Sai dance" is mainly composed of dance, supplemented by song; in the third stage, "fight" is mainly composed of fight. The actors wave their arms to each other with a loud and passionate call, circling and fighting with each other, and finally deciding the victory or defeat End the song and dance performance.

In terms of studying and exploring the development and evolution of the northern Primitive Hunting Song and dance, hakumale song and dance is like a "living fossil". In addition, it should be noted that there are many similarities between hakumale song and dance and Manchu "mang style" palace song and dance. In particular, the fighting action in hakumale song and dance is basically the same as Manchu "mang style kongqi" holding one sleeve on the forehead, holding the other hand on the back, circling and acting ". This similarity is worth studying.

At present, like other folk arts, hakumale song and dance is in an endangered state, and it is urgent to take necessary measures to protect it.