Lacquerware painting technique (Poyang bodiless lacquerware painting technique)

Name of China's national intangible cultural heritage: lacquerware painting technique (Poyang bodiless lacquerware painting technique)

Applicant: Poyang County, Jiangxi Province

Project No.: 910

Project No.: VIII - 127

Time of publication: 2011 (the third batch)

Category: traditional art

Region: Jiangxi Province

Type: Extension Project

Applicant: Poyang County, Jiangxi Province

Protection unit: Poyang County Cultural Center

Brief introduction of lacquerware painting technology (Poyang bodiless lacquerware painting technology)

Applicant: Poyang County, Jiangxi Province

Bodiless lacquerware is a traditional arts and crafts in China with a long history. Its lacquerware is famous for its novel shape, bright gloss, exquisite production and smooth inner wall. It is listed as "three treasures of China" with Jingdezhen porcelain and Beijing Cloisonne.

Poyang bodiless lacquerware started in the pre Qin Dynasty, passed on through the ages, and made great development and breakthrough in the late Qing Dynasty. Poyang bodiless lacquerware solidification molding technology has opened up a new way for bodiless lacquerware production technology, and opened up a precedent for China bodiless lacquerware production. The production of Poyang bodiless lacquerware has to go through the following processes: molding, painting, adding metal, painting, polishing, and testing. The main types of lacquerware are wood, sandwich, leather and silk. The completion of a bodiless lacquerware must go through the process of molding, cutting and sticking. For large-scale utensils, it is particularly complex. In 1915, Zhang Xizhen, a painter of Poyang County, won the Panama International Exposition Award for his "black back lithography lacquer gilded hat".