Cross talk

Name of China's national intangible cultural heritage: crosstalk

Applicant: China Broadcasting Art Troupe

Item No.: 740

Project No.: V - 47

Time of publication: 2008 (second batch)

Category: quyi

Region: Zhongzhi unit

Type: new item

Applicant: China Broadcasting Art Troupe

Protection unit: China Broadcasting Art Troupe

Introduction to crosstalk:

Applicant: China Broadcasting Art Troupe

Crosstalk is one of the most popular folk arts, which is characterized by farce, satire and drama. It was formed in Beijing in Xianfeng and Tongzhi years of the Qing Dynasty, and then spread widely in northern China, especially in Beijing and Tianjin, and has been spread to the ninth generation.

At first, there are two kinds of crosstalk performances: those performed in the curtain are called "dark spring", mainly oral performances; those performed in public are called "bright spring", mainly language programs. The performance forms of "Mingchun" crosstalk include stand-alone crosstalk, two person crosstalk and group crosstalk performed by three or more people, and the most common one is stand-alone crosstalk. In the text of the performance, the actors are divided into a and B. A is responsible for teasing and B is responsible for cheering. Combined with the performance situation, the counterpart crosstalk can be divided into "yitoushen", "zimukuai" and "Guankou". In recent years, there have been some new forms of comedy such as cross talk in disguise and comic sketches. There are plenty of traditional jokes in crosstalk. After processing and sorting, the main works preserved are "Lian Sheng San Ji", "Zhu Zhu Fei Cui Bai Yu Tang", "Hua La Cha Er", "Xiao Shen Xian" and other single mouth works, Kua residence "," Bai Shi Hui "," man Han Quan Xi "," Huang He Lou "," Guan Gong Zhan Qin Qiong "," drama Zatan "," Da Deng riddle "and other counterpart works, and" pa Ma " He also wrote a lot of works, such as "coat", "King Kong leg" and so on.

Tianjin crosstalk is a school of its own. It is characterized by its strong satire, such as Zhang Shouchen's Kua Zheng Bu, xiaomushu's tooth powder bag, Ma Sanli's kaicong Chang, selling hang Piao and buying monkey. It is the representative of Tianjin crosstalk. Wenkuai crosstalk in Tianjin also has a long history and tradition, and many different performing schools have emerged. Taking the traditional crosstalk "wenwenhui" as an example, there are several performance scripts, such as Zhang Shouchen, Ma Sanli, Su Wenmao, and so on. When performing on the stage, each style has its own merits.

Nowadays, crosstalk is gradually moving to the edge of "fast food culture", and there is a certain degree of alienation under the influence of mass media. At present, the cultivation of follow-up force has become a top priority for the development of crosstalk inheritance, which needs to be attached great importance.