altair and vega

altair and vega

"Morning glory and Weaver Girl" is an ancient five character poem written by poet Du Fu of Tang Dynasty. According to Chinese folklore, on the seventh night of the seventh day of the seventh lunar month, magpies build a bridge on the Milky way to let Cowherd and Weaver Girl meet on the bridge. The rainy day on the seventh day of the seventh lunar month is their tears. It refers to the reunion of a person or couple after a long separation.

Original works

"Morning glory and Weaver Girl" when morning glory comes out of Hexi, the weaver girl is in the East. We will see each other forever. Who can see the same on Tanabata. it's hard to wait for God's light, and it's always hazy. If the spirit is in harmony, why should the autumn pass. pavilions with new make-up stand, and the dragon's driving equipment has been empty. The world also prays for children. He called his family rich and thrifty. Yitang hall, the dining man, is full of jade. My clothes are all over the world, and the moon and the breeze are blowing. The spider silk is in a small human state, curling in melons and fruits. At the beginning of the feast, the sun rises again and ends sweetly. Ho, you have never married a girl, and you are very depressed. self defense moves like the law, trying to be in the loom. Although there is nothing to do with my uncle, I dare to make contribution. it is clear that the agreement between the monarch and the minister is very close. Righteousness does not abandon etiquette, grace begins with courtesy. there is a good time for small and big, and it's the most important thing to abstain from. A husband is a hero when he quarrels.

About the author

Du Fu (712-770) has the word Zi Mei. In his poems, he calls himself a wild old man of Shaoling and is known as Du Shaoling in the world. His ancestors moved from Xiangyang (now Hubei) to Gongyi (now Henan). The grandson of Du Shenyan. In the late period of Kaiyuan (the year of Emperor Xuanzong of Tang Dynasty, 713-741), there was no place for Jinshi. Travel around. In 744 ad (three years of Tianbao), he met Li Bai in Luoyang. After living in Chang'an for nearly ten years, he failed to do anything, lived in poverty, and gradually approached the people. He had a deep understanding of the living conditions at that time. And the army of Anlu mountain was in Chang'an. They were trapped in the city for half a year. Then they fled to Fengxiang and met suzong. After the recovery of Chang'an, he returned to Beijing with suzong, and soon joined the army for Huazhou Sigong. He abandoned his official residence in Qinzhou, and soon moved to Chengdu to build a thatched cottage on the Huanhua River, known as "Huanhua thatched cottage". At one time, he served as a staff officer in yanwumu, Jiannan Jiedushi, and his military watch was wailang, a member of the school inspection department. In his later years, his family went out of Shu and died on the way to Xiangjiang. His poems boldly exposed the social contradictions at that time, and deeply sympathized with the poor people. Many excellent works show the historical process of Tang Dynasty from prosperity to decline, which is called "history of poetry". In art, he is good at using all kinds of poetry forms, especially in regular poetry; he has various styles, mainly melancholy; he has refined language and high expression ability. Inheriting the fine literary tradition of reflecting the social reality since the book of songs has become another peak of ancient poetry art and has a great influence on later generations. Du Fu was the greatest realistic poet in Tang Dynasty. After Song Dynasty, he was honored as "poet saint" and "Li Du" together with Li Bai. There are more than 1400 poems, including the collection of Du Gongbu.