Shi Shujun

Shi Shujun

Shi Shujun (June 26, 1939 - February 14, 2016), born in Chongqing, is a director and screenwriter in mainland China and graduated from the director department of Central Academy of drama.

In 1983, she directed her first film "dormitory for female college students", which won the best director award for her maiden work at the 24th karovi Farley International Film Festival. In 1986, he directed the youth film "missing middle school girl". In 1988, Shi Shujun won the national top ten film directors award of the radio and television news of the Ministry of radio and television of the people's Republic of China. In 1989, the love movie deep in the courtyard, directed by him, was released. In 1990, the plot film burning wedding dress, which was edited and directed by myself, won the excellent film award of Harbin Ice and snow Film Festival. In 1992, he directed the plot film "the death of a female college student", which won the gold medal of the first excellent film of humanitarian spirit. In 1996, he directed the romantic comedy little wife. On February 14, 2016, Shi Shujun died of heart failure in Shanghai at the age of 77.

Character experience

In 1964, he graduated from the director department of the Central Academy of drama, and in the same year, he was the director of Hubei opera company. In 1975, he began to work as a reporter, deputy director and director of Shanghai Film Studio. In 1983, she directed her first film female college students' dormitory, which describes the mental outlook and living conditions of a group of college students after the cultural revolution, as well as the impact of ten years of turmoil on their growth. The film won the excellent film award of the Ministry of culture of China. With this film, she won the best director award for the first ten years of Wenwei Po in the new era and the 24th karowi Farley International Film Festival Best Director Award for the first film of the festival. In 1986, he directed the youth film missing middle school girls, which co starred Liu Yu, Qian Yongfu and Zhang Wenrong. In 1987, he began to contact Qiongyao's novels, and directed the love drama "moon hazy, bird hazy", which is adapted from Qiongyao's novel of the same name. In 1988, he directed the youth film "the expectation of summer" co starred by Jia Hongsheng and Xiang Mei. In the same year, he won the national top ten film directors award in the new era of the Ministry of radio and television. In 1989, his love movie courtyard deep was released, which was adapted from Qiongyao's novel of the same name. In 1990, he wrote and directed the plot film burning wedding dress, which was based on the novel a stream written by Xuan Xiaofo. The film won the excellent film award of Harbin Ice and snow Film Festival. In 1992, he directed the plot film "facing the Red Cross" co starred by Lu Ling and song Yining; in the same year, he directed the plot film "the death of a female college student" co starred by Lu Ling and Wang Hongsheng, which won the first gold medal for outstanding film of humanitarian spirit. In 1996, he directed the romantic comedy little wife, starring Zhou Xun. Shi Shujun died of heart failure in Shanghai on February 14, 2016 at the age of 77.

Main works

Directing works

Screenwriter's works

Award winning record

Character evaluation

Shi Shujun has profound directing skills, which enhances the literary color of the film. Among the directors of the fourth generation, Shi Shujun is particularly good at youth themes. He focuses on a group of fleshy students, reappears the real life with pure and aesthetic style, shows their joys and sorrows, their belief in life and their thinking about life, which gives Chinese movies the concept of "youth film" (Sina entertainment review). She has a natural affinity to the so-called aristocratic lifestyle. Her interest and ambition seem to have an explainable source for her talent selection tendency and film style. The face of the film is not completely determined by the other, she is at least one of its birthplaces. Of course, her intrinsic nature is not the whole source of her film meaning. Her films are in the ideological atmosphere and state-owned studio system in the 1980s, which she can't surpass.