Yang Cunbin

Yang Cunbin

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Yang Cunbin (1911-1989), formerly known as Yang Ruilin, had a pseudonym of Ruilin. Beijing people. Member of the Communist Party of China, member of the Democratic League. He graduated from the drama department of Art College of Peking University in 1932. He is a member of China Writers Association.

Life

He graduated from the drama department of Art College of Peking University in 1932. In 1938, he directed Qin Liangyu to publicize the Anti Japanese war. He joined the China Democratic League in 1947. He joined the Communist Party of China in 1982. He once served as a teacher of Jiang'an drama academy, President of Central Youth Drama Club, Professor of Shanghai experimental drama school, and director of literature and Art Research Office of Political Department of Subei military region. After the founding of the people's Republic of China, he successively served as the dean of academic affairs of Shanghai Academy of drama, the screenwriter of Shanghai Film Script Creation Institute, the director, vice president and consultant of Shanghai People's Art Theatre, the first to fourth directors of China Drama Association, the fourth and fifth members of the Central Committee of China Democratic League and the seventh vice chairman of Shanghai municipal Party committee. He is a deputy to the third National People's Congress and a member of the fifth and Sixth National Committee of the Chinese people's Political Consultative Conference. The director's works include "drama of the dead wood" and "drama of the dead wood". The director's Kun Opera Cai Wenji won the first prize of national drama performance in 1979. He died of lung cancer in Shanghai on November 24, 1989. He was 78 years old.

Space stage

The earliest attempt of "space stage" can be traced back to the public performance of "Qin Liangyu" in 1938. Yang Cunbin, the director of the play, said, "the setting design of Qin Liangyu adopts the technique of space stage, that is, to regard the whole stage as space, instead of realistically reconstructing palaces and temples, to economically find one or two mediators that can represent the space to create atmosphere." The dance beauty of the play is designed by Liu Lu: a street lamp stands for the street, the head of the statue stands for the Buddha Hall, a few sails stand for the warship, a corner of the pavilion stands for the lake, and below are several different levels of platforms, which are simple, freehand and easy to perform. At that time, Yang thought that "not only Qin Liangyu, but also the space stage method should be used more skillfully in the setting of all historical dramas.". Later, a large number of costume dramas, such as Qu Yuan, flowers of Tang Di, Mulan joining the army, Li Enjie's loyal King Li Xiucheng, cowherd and weaver girl, Lu Gan's imperial envoy, Yao Zonghan's Tianguo Chunqiu, sun Haoran's Chu Bawang, cowherd and Weaver Girl (Shanghai), all adopted the idea of space stage, with some simple and general scenery units Such as platforms, columns, stone tablets, gatehouses, wall hangings, curtains, etc., as well as necessary props and a small number of hard scenes, symbolically outline the necessary dramatic environment.