Zhang Qian

Zhang Qian

This data is missing

Overview chart

, add related content, make data more complete, but also quickly upgrade, come on!

Zhang Qian, male, born on September 15, 1935 (lunar calendar), Han nationality, is from Xinjin, Liaoning Province. Professor of musicology, doctoral supervisor and director of Musicology Research Institute of Central Conservatory of music; member of theoretical Committee of Chinese Musicians Association; vice president of national music aesthetics society, President of national music psychology society; editorial board member of music research and Journal of Central Conservatory of music.

Personage introduction

Zhang Qian was transferred to the theory department of China Conservatory of music in 1964. He has been a lecturer, associate professor and professor since 1973. In the teaching and scientific research posts, he has made great efforts for the teaching and scientific research of musicology and the cultivation of new forces in China, and has made achievements.

Teaching achievements

For a long time, he has been engaged in the courses of "Fundamentals of music aesthetics", "aesthetics of music performance", "appreciation of famous music performances" and "history and current situation of Musicology" (part of music aesthetics), which are the first courses of our college and national music colleges, and the teaching materials are all compiled by himself. The courses offered are welcomed by students, and are one of the courses with the largest number of electives. At the same time, he served as the tutor of undergraduate, master and doctoral students in the Department of musicology, and cultivated many outstanding graduates.

Scientific research achievements

Published monographs such as psychoanalysis of music appreciation (1983, people's music publishing house), Fundamentals of music aesthetics (co authored, 1992, people's music publishing house), history of Sino Japanese music exchange (1999, people's music publishing house), etc. Published and translated works: revision of music aesthetics (co translated by Yoshio Nomura, 1991, people's music publishing house), composition of music beauty (co translated by Hiroshi Watanabe, 1996, people's music publishing house), collection of classical famous dish review (1) (co translated by Junichiro Kouma, 1998, Taiwan World Heritage Publishing House), collection of classical famous dish review (2) (Japan, Cang Linjing et al., 1998, World Heritage Press, Taiwan), etc. Translation of the theory of sound without sorrow (Japanese, 1998, Japan Symphony Press). He has published dozens of papers such as "on the psychological process and characteristics of music creation", "four topics of music aesthetics", "aesthetic principles of music performance creation", "Yanyue of Sui and Tang Dynasties and Japanese elegant music". international exchange: from 1985 to 1987, and from 1993 to 1995, he went to Japan National Conservatory of music twice as a guest lecturer and Professor, lecturing on "Chinese music history", "Chinese music masterpieces" and "Chinese ancient music thought", and was employed as a special researcher of Japan Society for the promotion of learning, engaged in the research and writing of the history of music exchange between China and Japan.

Awards

In 1993, my teaching group of music aesthetics won the first prize of excellent teaching achievements of national colleges and universities. I am one of the main members of this teaching group. Wang Zhao and other colleges and universities jointly won the third prize for excellent teaching materials of music and aesthetics.