Uygur Dastan is a kind of Uygur singing and playing music. It is a kind of long narrative poem with rap and singing. It is a long poem with complete stories and characters. It is a folk art form with a long history. Music is narrative and lyric. From the 3rd to 7th centuries AD, a Uygur folk book called Alifu was circulated. Dastan's work of El Tu'er sings El Tu'er, the people's hero. Its music is deep and euphemistic, with ups and downs in tune, paying equal attention to narration and lyricism, and playing accompaniment of Boer, Dutal and Gervalf with musical instruments, which is well received by the masses. As early as the 1940s, it was moved to the stage. It has been playing for a long time because of its moving plot and beautiful music. .
On June 7, 2008, "Uygur Dastan" declared by Xinjiang Uygur Autonomous Region was listed in the second batch of national intangible cultural heritage list with the approval of the State Council.
"Dastan" is a form of folk art with a long history in Xinjiang Uygur. "Dastan" is Uygur, meaning "narrative poem". Dastan, as a kind of music, is characterized by rap and singing long rhyme stories. Narrative Long Poetry has become a form of rap and singing performance because Uygur people borrow the tune selection from the large-scale music suite of their own nation and the ancient Mukam to sing and perform.
Legend has it that as early as the 3rd to 7th centuries A. D., Uygurs living in Xinjiang, China, had a Dastan program called "Ali Fu El Duer'a", which showed the heroic deeds of the national hero El Duer'a. From then on, the performance of heroes became a tradition of Dastan's rap and singing.
In Dastan's performance, one or three performers perform, in which the main actor plays by himself with the national musical instruments, such as Jewafu or Dutal, Puntar, Shatar, etc. Other actors sang in festivals such as drums or stones. The venues for the performances are also flexible. They can be performed in fairs, teahouses and banquets. It is said that the famous heroic epic of the Kirgiz people in Xinjiang, "Manas", was also performed and circulated in the form of Dastan. According to legend, Sjti is the most famous artist who plays and sings in Dastan. His deeds were compiled into a Dastan performance called "Hans Etti".
Uygur Dastan reflects a wide range of content, including historical events, heroes, love stories, etc. It reflects the history and real life of working people, but also reflects the national folk culture, aesthetic value and philosophy. According to the content and form of Uygur Dastan, it is divided into hero Dastan, love Dastan, historical Dastan and Jiangnamai (religious Dastan).
Uygur hero Dastan, whose length is long and involves a wide range of life, takes major historical events and heroic legends as the theme, and reflects the Uygur myths and legends in the form of poetry, as well as the war between tribes and nationalities and the great achievements of heroes. Such as: The Biography of Ugus, Chintomur Baur, The Son of the Tomb (gor oghli), Yusuf Ahmaiti, Alip Altunga, Rutem dastani, etc. Take "The Biography of Ugus" as an example: The Biography of Ugus is divided into two parts. The first part describes the birth, growth and sweating experience of Ugus. The second part describes the war stories of Uguskan, including the creation myth, national origin legend, folk beliefs, customs and habits of ancient Uighurs.
The content of Uygur love Dastan includes fantasy love plot and life love plot. Fantasy love Dastan takes the hero falling in love with beautiful fairies as the beginning of the story, struggling with demons and monsters, taking painstaking efforts to get the fairy's love as the content, full of rich fantasy color. For example, kemershah we shemsijanan, horlika-hamrajan and senuber. Dastan's real love life as a clue mainly reflects young people's yearning for and pursuit of free love, and exposes the tragedy brought about by social interference in young people's love and marriage at that time. For example, "Aliv and Sai Nam", "Tahir-Zuhora", "Palhard-Siren", "Laili-McGinnon", "Rebiya and Saidin", "Kizilgulum", "Kakkuk and Zayep" are the representative works of Uygur life love Dastan.
The historical Dastan of Uygur takes the important events and the activities of historical figures as the theme, mainly describes the dedication of historical figures for the benefit of the people. His representative works include Nozigum, Stinoch, Abdul Rehmann and Zhuo, etc.
The main theme of Jengname is the religious wars that took place during the period of Islam's introduction into Xinjiang. It describes the war scenes between Uighurs who accepted Islam and Uighurs who refused to accept Islam and Uighurs who believed in Buddhism in Hotan, and the heroic achievements of some of the leaders who emerged in the war. This kind of Dastan retains the expressive techniques of Turkic-speaking national heroic epics.
Current situation of inheritance
According to the first National Report on the Protection and Development of China's Intangible Cultural Heritage (2011) issued by the China Research Center for intangible cultural heritage in Beijing, there are embarrassments in the protection of Chinese folk literature, such as the aging of representative inheritors, the lack of identification criteria for directories at all levels, the difficulty of joint declaration and the difficulty of intellectual property protection. The average age of inheritance of "non-legacy" is over 70 years old.
Especially, the two major problems are the aging of inheritors and the lack of identification criteria for directories at all levels. At present, the oldest representative successor of the national intangible cultural heritage project is Shah Maimaiti of the Uygur Dastan project, who is 101 years old.
Inheritance and Protection
Uygur Dastan has been handed down from generation to generation in the form of folk narrative performers (Dastan Chimeddah), so Dastan Chi plays an important role in the creation, circulation and preservation of Uygur Dastan. Dastanchi is a folk artist with certain artistic talent. First of all, they have a strong ability of language expression. They earnestly study the stories of various subjects spread among the people, and have a concise, vivid and refined folk language. They can narrate their works profoundly and vividly. Secondly, most of Dastanch is good at music. The prose part of Uygur Dastan is narrated in oral language, while the rhyme part is narrated in the form of songs. So as Dastan, he should not only memorize Dastan's text, but also master Dastan's melody. It can be said that Dastanch is also a folk musician. They are skilled in folk music and play different instruments. Thirdly, Dastan is as good at performing arts as a theatre actor. Their performances vary according to the gender, age, social status, occupation and personality of the characters in Dastan. Their facial expressions and gestures change accordingly, describing the content of Dastan vividly and vividly with different rhymes and tones.
National festivals, Bazaar (market), Mazaar tours, and workplaces are the big stage for Dastanchi to show their talents and wisdom. These places are the main places for farmers to socialize and have a large number of people. Dastanchi's excellent performances in these places deeply attract the audience. Dastan has been disseminated, preserved and developed under such a cultural background.
Uygur Dastan has a wide range of contents and diverse subjects. Although a certain number of Dastan have been collected, the collection is still incomplete, and the research on its rap and singing performance art is also scarce. The performance content, skills and characteristics of Dastan (folk narrative performers) are the living form of Uygur Dastan and the charm of Uygur Dastan. Therefore, the protection, inheritance and development of Uygur Dastan's text, especially its performing arts, is particularly important.
Yunyang Longgang Scenic Spot: National AAAAA Class Tourist Spot, National Geopark and National Day 2016 "Best Tourist Service Scenic Spot".
Guanlin, a national key cultural relic protection unit, National AAAA tourist attraction, is the first place for the burial of Shu generals Guanyu in the Three Kingdoms period. The former is an ancest.
Longxing Temple, alias Dafo Temple, is located in Dongmenli Street, Zhengding County, Shijiazhuang City, Hebei Province. It was originally Longteng Garden of Yanmu Rongxi after the Eastern Jin Dynasty.
Wash ginseng, boil it in a little water, take out slices, and cook it in the original pot for 15 minutes. Still soak it in the original soup. All the above ingredients except hen nuggets and ginseng s.
Balang is inspired by the intangible cultural heritage of Gansu Province. Tibetan is called "Sham Dance", "Sha Mu Dance" and "Sha Mu Dance". Tibetan means a kind of peace.
Dengfeng kiln ceramics firing technology is a National Intangible Cultural Heritage Representative project. Historical records began in the Tang Dynasty and flourished in the Song Dynasty..
Shoushan Stone Carving is a traditional folk carving art. It is made of Shoushan Stone, which is produced in the northern mountain area of Fuzhou. It is a small carving for people to enjoy through spe.
Xiju opera, one of the national intangible cultural heritages, is popular along Shanghai and Nanjing, as well as in Hangzhou, Jiahu, Huzhou and urban and rural areas of southern Anhui..
Mianyang Normal University is a full-time general undergraduate college in Sichuan Province. The school is located in Mianyang, China's science and technology city, the birthplace of Li Bai, known as .
Hong Xiuquan (January 1, 1814 - June 1, 1864) was famous for his show. In order to avoid God's "Huo Huo Hua", Jehovah "Homonym" has been changed to the present name, the founder of.
Mt. Emei Jinding, also known as Huazang temple, is located on the main peak of Emei Mountain in Sichuan Province, China (29.52567 ° n, 103.336802 ° E), with an altitude of 3077 m. It is the end point of Emei Mountain tour and one of the key Buddhist temples in the Han area..
Miyaro, translated as "fun Bazi", is a provincial scenic spot, located in the Zagunao River Valley of the upper reaches of Minjiang River in Lixian County, Aba Tibetan and Qiang Autonomous Prefecture.