Han Ying

Han Ying

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Han Ying, whose name is bancong, was born in Tangshan, Hebei Province in 1951. He graduated from the stage art department of Tangshan theater school in 1974. At present, he is vice chairman of Tangshan Lubei District Committee of CPPCC, member of China Calligrapher Association, member of presidium of Hebei Calligrapher Association and chairman of Tangshan Calligrapher Association.

Introduction to art

Han Ying's works have participated in many national exhibitions and won prizes. In 1984, he was selected into the "first dragon cup calligraphy competition" and won the silver medal. In 1985, he was selected into the "second dragon cup calligraphy competition" and won the wonderful prize. In 1986, he was selected into the "national Dongshan cup calligraphy competition" and won the silver medal. In 1987, he was selected into the "national Strait cup calligraphy competition" and won the silver medal. In 1991, he was selected into the first new works exhibition of Chinese calligraphy. In 1993, he was selected into the second new works exhibition of Chinese calligraphy. In 1999, he was selected into "Korea International Calligraphy Exhibition" and won a big reward. In 2002, he was selected into the "calligraphy and painting exhibition celebrating the 5th anniversary of the return of Hong Kong" and won the highest artistic achievement award. It has been exhibited in Japan, the United States, the Philippines, Singapore and Hong Kong. In 2003, "Han Ying calligraphy exhibition" was held in Tangshan Museum, and "Han Ying calligraphy collection" was published. Han Ying loved fine arts when she was a child. At the age of 17, she painted a huge 7-meter-high portrait of Chairman Mao in Beidaihe. "Going to the mountains and the countryside" has not been abandoned for more than two years. After being admitted to Tangshan theater school in 1970, he began his professional art career. The scene of "revolutionary model opera" has been painted for more than ten years. At the beginning of his life, he fell in love with calligraphy and took part in the first calligraphy class in Tangshan. Under the guidance of Mr. Xiao Yi and Mr. Wang Yongxing, he entered the sacred palace of calligraphy. For more than 20 years, calligraphy has become an indispensable part of his life. As long as he grasps the brush, a desire to explore the true meaning of art, he will enter the best creative state. He knew that he started late and had poor talent, so he worked hard and worked harder than others. Han Ying covers a wide range of subjects, including Tang Kai, Xiaozhuan, Lishu, Zhangcao, Weibei and xingcaoshu of Jin and Tang Dynasties. His calligraphy works have changed from delicate and beautiful to profound and simple, emphasizing visual effect. The thickness of stippling, the size of the front and side of the structure, the density of composition, and the dry and wet shade of ink color not only inherit the beauty of lines advocated by stele learning, let people directly face a kind of strength and strength, but also pursue the perfection of art skills in beauty. In recent years, the attempt of modern calligraphy has developed in the direction of simplification of Chinese characters, getting rid of the direct attention to lines, and the aesthetic concept of Chinese characters' modeling has been highlighted, turning rigidity into softness. In addition, he has been engaged in children's calligraphy teaching for more than ten years, and has cultivated a number of strong seedlings for Tangshan's calligraphy career. Some of them have participated in large-scale national competitions and achieved good results.

Appreciative Remarks