Sun Qiang, graduated from the performance Department of Shanghai drama academy, is a film and television actor and an actor in the National Theatre. The main works are "I hear love" and "Chinese moon".
Sun Qiang: male, graduated from the performance Department of Shanghai Drama Academy. Movie actors. National theatre actor.
"A dream like a dream" plays count and patient No.5
"Think of the world"
I hear love
Kangding Love Song
The night of spring
The story of the red apricot out of the wall / the story of the red apricot out of the wall
My dear motherland
Piaoping in troubled times
Phoenix in the lake as Yang wo
The sequel of desire as Lin Yakun
Because I love you
"Can't be sad"
Frost leaves red in February flowers
2002 "secret history of Xiaozhuang" as emperor Chongzhen
"So many beauties" in 2005
Beidaihe is the love sea / love seashore in 2006
John Kong in spark in 2007
Wu Xuan in Zheng He's voyages to the West
2009 Tie Li Hua as Liu Tianci (Director: Guo Jingyu, CO actor: Chen Shu, Weizi)
Guo Liang in "Bao Qingtian's seven heroes and five righteousness" in 2009 (Director: Tang Hao, CO actors: Jin Chaoqun, he Jiajin, Jiang Hongen, Cui Bo)
In 2010, Xiong Yipeng plays the role of "ambition in a raging sea" (chief director: Hu Mingkai (Hong Kong, China) director: Liu Haitao, CO actors: Huang Haibing, Li Caihua, Chen Derong, Qin PEI)
2010 "Dad, don't go" as Zhao Yihu (Director: Shen Tao, CO actors: Sun song, LV Yi, Yan Qingyu)
Modern new human
》Vincent (Director: Lin Yufen, Liu Guohui, CO actors: Hu Ge, Chen Yihan, Chen Bailin, Jiang Chao)
2011 "going to sea" as Suk (Director: Wang Xiaoming, CO actor: Zhang Jiayi, Liu Bei, fan Ming, Li Ge, Liu Yanjun, Wang Yisheng, Li Yiling)
》Jin Yu (Director: Mao Weining, CO actors: Wang Lei, Wang Yuanke, Jiang Yi, Zhang Xiwen, Yamazaki Keiichi)
2013 "happy make" episode 4 guest star principal
On December 20, 2019, the urban legal drama "elite lawyer" will be premiered on Oriental satellite TV and Beijing Satellite TV, and simultaneously broadcast on iqiyi and Tencent video.
The first round performance of "a dream like a dream" in mainland China is coming to an end in Beijing. Thirty actors perform the fate, sadness and happiness of the third life cycle, and get and put it down. All the feelings, for sun Qiang, are double, just because, in the play, he plays two absolute protagonists at the same time. This angular man's face has a natural distance that is hard to get close to. When he was young, he was handsome and cold, and his heart was reckless. After being polished by time, he became more and more stubborn and indifferent.
Suffering and greatness of "self reincarnation"
At first, even the director Lai Shengchuan did not expect that patient No. 5 and the count of France could be performed by the same actor. Although they were closely related to each other in the dream of reincarnation of two generations, their roles were too heavy and their lines were too large. In order to ensure the quality of the performance, since the premiere in 1999, there has never been any performance in the past 13 years There has been such a situation. Until the start of the performance in the mainland, there was an accident in the middle of the rehearsal. Lai Shengchuan put forward this suggestion to sun Qiang, the actor who used to play No. 5 patient: can we, while winning No. 5, stir up the task of "count".
Sun Qiang's first reply was that he refused. "The fifth itself will take eight hours, and I'm very tired. The count's play is also very important. To tell you the truth, I'm afraid it's a shame that I can't play both well. "
He said he was afraid of "humiliation.". These two words have not been heard in the mouth of the interviewees for a long time, especially an actor. He is frank and introspective, quite frank and introspective.
Later, Lai Shengchuan was a little sad and asked him to reconsider. Wang Keran, the producer of "a dream like a dream", also called to ask him to put out the fire. "I haven't been on stage for 13 years. I want to be on the platform. And it's another stage like this. It's exciting. I like it. Then, do you want to stimulate a little more? "Sun Qiang asked himself. There was a fire rising in his heart. He nodded.
So there is what we see in the play before our eyes. In different scenes, he will show himself as "number five" and "count" respectively.
There is a scene where I hold up a painting by Gu Xianglan and tell Shike that the man in the painting is very handsome. I really want to know who he is. In fact, this painting is just like me. I'm the count. When I played number five in the second half, I pushed Scott, and I thought, tomorrow I'll be count. In fact, I am the count pushing her
One of the things that stage performance always drives creators is that you probably never know where the "territory" is, the territory of stage, performance and creation. Lai Shengchuan almost woke up for a moment when he was in danger. The mutual understanding between No. 5 and the count may make the performance and narration clearer. Maybe it's like another box in a mysterious box. The key is in sun Qiang's hand.
Fear and uneasiness are the power to open the performance
The play has been performed for more than half a time. Most of the main actors have spoken and expressed to the media. Only sun Qiang can hardly be seen outside the stage. He is like a man with invisible grass. After the curtain call, he never knows his whereabouts. This situation is almost the same as the one he entered after graduating from Shanghai Drama Academy in 1990. Ask him, how never take the initiative to expose himself, he Hu Lu Hu Lu face, but show to this problem don't understand. He didn't know what other things he had to do besides performing, reassuring himself, making his opponents comfortable and satisfying the director. He is over 40 years old, and the ambition and ambition of an actor have already been poured into the roles he once loved and approached infinitely. In order to have a good talk with him during this visit, he said, it is also an experience that he has not had in many years.
After "a dream like a dream", a reporter also found him. He was asked the final question: how do you understand the play? What do you think of her when you play opposite Li Yuchun? His answer is: I don't need to understand. The director has summed it up. They are all in the play. I can't say anything better than him. As for the latter issue, he kept silent. It's not pretending to be disgusted and evasive, but really thinking that these are "things outside the play", losing some purity and concentration. What moved me a few times in my conversation with him was that his logic always seemed to stay in the academic era——
"It's my habit to recite all my lines before I start acting. It's a little different from the way Mr. Lai works. He says it doesn't matter if you rehearse with the script. "
"On rehearsal days, I always wake up in the middle of the night, and I can't sleep any more. I get up and want to play."
"Number five and the count, from the performance itself, I prefer number five because it's more difficult to perform. The count can do shows occasionally, but no. 5 is a Kung Fu player. He is a narrator and has no action line. It's extremely difficult for Li Yuchun and me. "
"I did two sets of work for number five and the count, imagining every line. On the 5th, he said that he had bought a round the world ticket, so I asked Mr. Lai what the round the world ticket looked like and what color it was. The count took Gu Xianglan back to the port where she got off the ship in France to show her the scenery, so I went to find the old photos of Marseilles port to see what they looked like. And the lake. What I think in my heart is that I saw a lake in Kangding. It's really a lake with flowing clouds and flowing water and no fish in it. "
When talking about the performance and the work itself, he danced with great interest. He wished he could explain a line by breaking it apart. He said that when he first got the script, he was so worried that he had become a rehearsal habit for so many years. Later, all the lessons and efforts are to let the tension melt a little bit, and those fears are the most original motivation.
Missing is another kind of meeting
Back in 1998, at the black box theater of Chinese opera, Meng Jinghui's "yearning for the world" premiered. Like a cold light in the dark, it almost laid the foundation for the breaking of experimental drama in China. Sun Qiang, the hero of the play, was accompanied by Zhu Yuanyuan, Liao Fan, Zhou Jie, Li Naiwen and Ren Chengwei.
"I didn't take root on stage then." He didn't want to recall his vigorous youth. Last year, Meng Jinghui rehearsed "living", and he also asked him, but he didn't answer. Earlier, he pushed away more works. He didn't think about those that he missed. Later, one by one, he gradually sank to the bottom of the lake. When he just graduated, he was the absolute No. 1 man in all the plays, which was determined by his size, appearance and demeanor. Later, when he filmed quietly, he was afraid to let the spotlight on him, but he hid more and more deeply, which was determined by his own temperament and heart.
"Those missed may be another kind of meeting." Sun Qiang said, "I'm really stupid. That's why I recite my lines overnight to get closer to my role earlier.". In my career, too, "I've worked with so many people and experienced so many things over the years, and I know what I should do. Maybe now, there are more opportunities. I think we should cherish it and be modest. "
In a dream like a dream, on the 5th, he meets a gypsy woman in Paris and guides him to the next direction. Some audience once questioned the plot and thought it was too "accidental". Sun Qiang felt that he got it
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