Luo Shiping

Luo Shiping

Luo Shiping was born in Wuhan, Hubei Province in 1955. He graduated from the Department of fine arts of Hubei Academy of Arts in 1977 and the Department of fine arts history of Central Academy of Fine Arts in 1990. He has been engaged in painting theory research and creation for a long time. He is an authoritative expert in Chinese mural theory, archaeology and appreciation research. He was once rated as the "youth discipline leader of Beijing University". Now he is the director, professor and doctoral supervisor of the Department of art history of the Central Academy of fine arts. Luo Shiping has written and presided over the writing of more than 10 academic works, nearly 100 academic papers and contemporary art theory articles, and has been cited by peers at home and abroad for many times. His achievements have been highly valued by art historians at home and abroad.

brief introduction

Luo Shiping (1955.12 -) was born in Wuhan, Hubei Province. Good at art history. He graduated from the Fine Arts Department of Hubei Academy of Fine Arts in 1977, and later taught in the Academy. From 1987 to 1990, he studied for a doctor's degree in Chinese art history in the Department of art history of Beijing Central Academy of fine arts. From 1990 to 1997, he was an associate professor in the Department of art history of Beijing Central Academy of fine arts. From 1997 to 2003, he was a professor in the Department of art history of Beijing Central Academy of fine arts. From 2003 to 2004, he was a professor in the Department of art history of Beijing Central Academy of fine arts. From 2005 to 2006, he was a professor in the Department of art history of Beijing Central Academy of fine arts Professor of art history, deputy director of Graduate Department

Academic resume

In August 2000, he was invited to attend the "Advanced Workshop on world art history" of the University of East Anglia, UK; in September 2000, he attended the "2000 Annual Conference on world art history" held in London, UK; in October 2000, he initiated and presided over the "review and Prospect - Seminar on Chinese art history in the 20th century" and read out the paper; in 1999-2001, he was the Chinese art history director of the Sino US cooperative research project between Han and Tang Dynasties funded by the Ruth foundation of the United States , editorial board member of theses 2000-2001 Foreign Language Press published the World Museum Tour Series; 2001-2002 Foreign Language Press published the simplified Chinese version of Western art dictionary; today's Chinese art editor in chief 2002 Yale University Press, China Foreign Language Press project "Chinese Buddhist art" editorial board member and writer Yale University Press, USA In March 2003, he attended the 55th annual conference of "Asian Studies" in New York, USA, and read the paper

Academic works

Rodin, a master of modern European sculpture, Beijing Commercial Press, 1984, point, line and surface (translation) Shanghai People's fine arts publishing house, 1988, world history of Fine Arts (translation) Beijing International Culture Publishing Company, 1989, emotion and symbol Kandinsky and abstract painting, Beijing People's Fine Arts Publishing House, 1989, Volume 3, 4 and 5 of history of Chinese civilization, Fine Arts Edition North Education Press, 1992, history of Chinese religious art (co authored) Jiangxi fine arts mountain press, 1995, landscape hundred, Heilongjiang fine arts press, 1996, Zhuju hundred, Heilongjiang fine arts press, 1998, 20th century Tang research culture volume, fine arts, China Social Science Press, 2001, brief history of Chinese Fine Arts (Revised Edition) (co authored) Chinese youth Publishing house, 2001, foreign language Publishing House approved by Western art Dictionary (simplified edition), 2002, iconology research on Buddhist statues of Tang and Song dynasties in Sichuan, Taiwan FoGuangShan collection, 2003, discovery and Research on Chinese Mural Tombs in the 20th century, Heritage Publishing House, 2004, Persian and Islamic art, Renmin University of China Press, 2004

Academic papers

The space consciousness of sculpture (fine arts, No.8, 1986, Beijing) urban sculpture and environment (fine arts, no.6, 1988, Beijing) American Abstract Expressionist critic (world fine arts, No.2, 1986, Beijing) Kandinsky's abstract painting theory research (literary studies, No.1, 1988, Beijing) review of Western modernist Fine Arts (serial) ((China Fine Arts daily, Beijing, 1989) "Xia Shan Tu -- Fang Wen's method of painting history" (new fine arts, No.1, 1989, Zhejiang) "a study on the age of the statue of Bi Gong and the statue of Li Zhou on Qianfo cliff" (Cultural relics, no.6, 1990, Beijing) "a study on the statue of Bodhi on Qianfo cliff in Guangyuan" (Palace Museum academic quarterly, Vol.9, No.2, Taipei, 1991) The Buddhist scriptures of Sizhou in Dunhuang and the belief of Sizhou monks (art studies, 1993, No.1, Beijing) the martyr of Art -- Luodan (art, 1993, No.2, Beijing) three topics of Bazhong Grottoes (cultural relics, 1996, No.3, Beijing) notes on the murals of Guanwang Gongshu ' On the artistic value of landscape paintings of Five Dynasties in Quyang (cultural relics, No.9, 1996, Beijing) trial reading of murals in Liao tombs (cultural relics, No.1, 1999, Beijing) Buddhist statues of Tang Dynasty and Chang'an style in Sichuan (cultural relics, No.4, 2000, Beijing) Buddhist statues of early Han Dynasty and the residence of Hu people (Research on art history, Guangzhou, 1999) ten collections Wang's image remains and belief (Tang studies, 1999, issue 4, Peking University) "two existing ten thousand Hui statues in Sichuan Grottoes" (cultural relics, 1998, issue 6, Beijing) "preliminary study on Buddhist statues of Southern Dynasties in Sichuan" (between Han and Tang Dynasties - collected works of Sino US academic association (1), 2001, Cultural Relics Publishing House, Beijing) "study on calligraphy and painting of Tang Dynasty in the 20th century"（ Research on fine arts, No.2, 2001, Beijing) "statues of Qingzhou and Northern Qi Dynasty and their styles" (Research on fine arts, No.1, 2001, Beijing) "history of fine arts as a reflection of fine arts culture" (Research on literature and art, No.5, 2001, Beijing) "historical causes and related issues of the independent division of ladies' paintings in Tang Dynasty" (Proceedings of International Conference on women's history, 2002) , Peking University) "sculpture tradition and modern experiment under the theme of contemporary culture" (sculpture, No.4, 2002, Beijing) "carving: the contemporary context of Chinese wood carving" (sculpture, special issue, 2002, Beijing) "the light of Buddha in the golden age" (Guangming Daily, 3rd Edition, December 4, 2002) "comparison of Liao tomb murals and Tang paintings in Baoshan, Inner Mongolia", (cultural relic world, No.3, 2003) new style of painting in the Northern Qi Dynasty -- Visiting notes on murals of Xu Xianxiu's tomb in Taiyuan (cultural relic, No.7, 2003) Hu Hua factors in the murals of Xu Xianxiu's tomb in the Northern Qi Dynasty in Taiyuan -- Notes on the study of paintings in the Northern Qi Dynasty (I) study of art history, Vol.5, 2003, Sun Yat sen University, Guangzhou buried painting history -- the discovery and research summary of murals in Chinese tombs 》(art research, No.4, 2004) "discovery and research of Liao tomb murals"; (Art History Forum, No.19, 2004, Korean Art Research Institute) "the way for early Buddhism to enter Sichuan -- focusing on the Buddha statue of yaoqianshu"; (Chinese history research, Vol.35, 2005, Korean Chinese History Society) "glory in the transitional period: Buddhist statue art of Sui Dynasty", (World of cultural relics, issue 1, 2005) "traditional context and modern form"; (art, issue 2, 2005) "looking back at Zhang Yanyuan: collation and research of" notes of famous paintings of past dynasties ";" research album of Zhang Yanyuan "Chinese calligraphy and painting press, Shanghai, 2005 " oil painting of ancient China "," art research, issue 3, 2005) "Paradise wedding banquet -- Tibetan in Golimu, Qinghai Province" Coffin painting, cultural relics, No.7, 2006

Appreciative Remarks