In 1969, Li Shaohong, a junior high school student in Beijing No.11 middle school, joined the army and became a propagandist of the independent 2nd division of Sichuan military region. In 1978, Li Shaohong, who had only a primary school degree, applied for the director department of Beijing Film Academy and was successfully admitted because of his excellent examination results in various subjects. In 1982, after graduation, Li Shaohong was assigned to Beijing Film Studio as director.
In 1983, Li Shaohong began to take part in the work of film director, and served as the deputy director of the feature film Bao's father and son. In the same year, she also took part in the shooting of the feature film the man who goes out to earn money as the deputy director.
In 1984, he directed the love movie "clear water bay, fresh water bay", and then stopped directing for family reasons. In 1988, Li Shaohong made a comeback and completed the shooting of the thriller Silver Snake murder, which was Li Shaohong's first real directing work, and then she won the right to direct the film independently.
In 1990, he directed the crime film "bloody morning", which won the gold medal for best picture at the 14th Nantes Film Festival. In 1992, Li Shaohong directed the family plot film forty no doubt, which was shortlisted for the Golden Leopard award in the main competition unit of the 45th Locarno International Film Festival. At the same time, as a director, Li Shaohong won the Catholic humanitarian spirit award of the 45th Locarno International Film Festival.
In 1994, he directed the ethical plot film "red powder". In 1995, the film won the Silver Bear Award for film and television effects at the 45th Berlin International Film Festival. In 1996, the film won the peacock Award for best film at the 27th India International Film Festival. Meanwhile, Li Shaohong won the best Director Award at the 3rd Beijing University Film Festival. In 1996, Li Shaohong began to direct TV dramas. In the same year, he directed the TV drama thunderstorm adapted from Cao Yu's drama.
In 1997, Li Shaohong directed the plot film "red suit", which won the "best feature film" award of the Chinese government Huabiao award. At the same time, Li Shaohong won the "best director" award of Shanghai Film Review Association. In 1998, he and Zeng nianping co directed the ancient costume drama "Daming Palace Ci" starring GUI Yalei and Zhao Wenyu.
In 2001, Li Shaohong directed GUI Yalei, Zhou Xun and Huang Lei's love drama orange is red. In 2004, he directed the love movie baby in love, which won the best director award of the 5th Chinese Film Media Award. In 2006, he directed the feature film "life and death", which won the "best feature film award" of the 2005 Tribeca International Film Festival in the United States, the "golden finch Award" of the 2005 Kerala International Film Festival in India, the "best feature film award of the 2006 annuity disc" of the 5th tibolone International Film Festival, and the "best feature film award" of the 16th Asian and Latin American Film Festival. In 2010, he directed the TV series of the same name, a dream of Red Mansions, which was adapted from a chapter novel by Cao Xueqin of the Qing Dynasty.
In 2012, he was the producer of the urban love drama "flowering Pinellia". In the same year, he and Li Xiaowan jointly produced the modern legendary TV drama "Niang Xinji". In 2013, he was the producer of the Republic of China TV series cocoon Town, starring song Qian and Jiang Jinfu; in the same year, he was the producer of the City Idol Drama hundreds of millions of heirs. In 2018, he directed the ancient legendary drama "Song palace Ci" starring Liu Tao and Zhou Yumin.
On May 17, 2019, his director's feature film "Ma Ge is a city" was released, which was adapted from Yan Geling's novel of the same name. Reed, Yan Geling and Chen Wenqiang acted as screenwriters, with Bai Baihe, Wu Gang and Huang Jue as leading actors. On September 23, he joined the director of the reality show cast in place. In December, he won the film spirit achievement award of the 4th Macau International Film Festival. On December 27, the war movie "liberation · final rescue" was released with Li Shaohong as director and chief director.
On August 22, 2020, the film "there is her in the world" officially announced the director lineup. Directed by Zhang Aijia, Li Shaohong, Chen Chong and Yu Feihong, the film tells four stories of four women in 2020.
In 2020, he and Liu Jiacheng, Teng Huatao, Gao Qunshu, Hui Kaidong, etc. will jointly direct the poverty alleviation theme film "flowers of stone", which is scheduled for November 17.
In 1982, Li Shaohong met her later husband Zeng nianping in her last year of University. Zeng nianping majored in photography at Beijing Film Academy, one term higher than Li Shaohong. When he met Li Shaohong, he graduated and stayed in school to teach. In the same year, they established a love relationship and got married.
(main works and References:)
From 2011 to 2019, he served as the president of China Film Directors Association.
Award winning record
(reference materials for award winning records:)
No matter what criticism and misunderstanding Li Shaohong suffered, she resisted the pressure and did not change her original intention of pursuing art. It is precisely because of this attitude that her works are endowed with a kind of shocking charm and resonance. And she is strict with the actors, but also delicate care, won the respect and love of many actors. (CCTV online review)
Li Shaohong's works always emphasize connotation, but she never refuses business. Perhaps women's innate moderation and ability to reconcile are at work. Li Shaohong has never gone to the extremes of art or commerce. On the contrary, she has done better than her male classmates in the combination of art and commerce. Li Shaohong is not the right person to shoot Haiyan TV series, because she lacks the passion to create the fierce plot. What she likes is a kind of style, an atmosphere, a kind of beauty, a kind of sadness, which is her innate advantages and strengths as a female director. Li Shaohong's success lies in giving full play to herself. (review of Beijing Youth Weekly)
From Daming Palace Ci, orange is red, and then to the door, we can see Li Shaohong's preference and pursuit of movies. She is keen on dark themes, and likes to express some strange sentiment with stylized images. In her works, the more important is the picture, environment, atmosphere, charm, story and actor, but in a relatively secondary position. (review of Southern Metropolis Daily)
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