Zeng Cuishan

Zeng Cuishan

Zeng Cuishan, born in Hong Kong, China, is a Hong Kong film director, screenwriter and producer.

In 2008, he made his debut as director of the romantic film "on the way to lovers". In 2011, he wrote and directed the feature film "big blue lake", and won the new director award of the 31st Hong Kong Film Awards, the special award of the jury of the 15th Shanghai International Film Festival Asia Rookie Award, and the outstanding new director award of the year of the Hong Kong Film Directors Association. In 2013, he directed the love film fragrance. In 2016, he supervised the action suspense movie "notes of tomb raiding".

Acting experience

In 2008, directed by Jiang zuman, Otsuka kuangjiang co starred in the love film "lovers on the road.". In 2009, he directed the feature film scenery on the river. In 2011, he co directed the micro film series with 12 directors, the feature film "are you still cute?". In the same year, he wrote and directed the drama "big blue lake", CO starred by Downing, Zhou Junwei and Qin EnMei, and won the new director award of the 31st Hong Kong Film Awards, the special award of the Judging Committee of the Asia Rookie Award of the 15th Shanghai International Film Festival, and the outstanding new director award of the year of the Hong Kong Film Directors Association. In 2013, he directed the love film fragrance adapted from Wang Bin's novel, which is co starred by park Shihou, Chen Ran and Li Xiangxiang. It tells the love story of Korean designer Renjun who came to Shanghai from Busan to find his missing girlfriend minzhen. In 2016, he supervised the production of the action suspense film "notes of tomb raiding" directed by Li Rengang.

Main works

Directing works

Screenwriter's works

Supervised production

Award winning record

Character evaluation

Great blue lake, directed by Tsang Tsui Shan, is a rare naturalistic work in Hong Kong films, which directly focuses on the countryside ecology beyond the urban scene of Hong Kong and reflects the love and crime of modern city with the ups and downs of people's mind. Her style is refined and neat, and her solemn blue covers the countryside road in Ho Chung, Sai Kung, making her native place like a dream. Based on independent production, Tsang Tsui Shan made her debut as a documentary film. For many years, she has been based on the local vision and micro perspective, and has become one of the few realistic independent female directors in the Hong Kong film industry. In presenting the other side of the Hong Kong space, Tsang Tsui Shan is unique and precious (Phoenix Entertainment review).