Zhu qianju

Zhu qianju

Zhu qianju, born in Shanghai, is a novelist and playwright. In 1924, he was director of Baihe film company and director of Shanghai film magazine.

Life figures

In 1925, he created films such as tea picking girl and abandoned child. He is the general manager and director of the Greater China Lily film company. The Greater China Lily film company was formed by the merger of the Greater China company founded by Feng zhenou and the lily company founded by Wu Xingzhi in 1925, with Zhu qianju as the general manager and Wu Xingzhi as the chairman, Feng zhenou is a director. He is a relatively large-scale private film production enterprise in early China. The main creators include Lu Jie, Shi Dongshan, Wang Yuanlong, Zhu qianju, Jiang Qifeng, Deng Jiduo, etc. the actors include Li Minghui, Ruan Lingyu, Zhou Wenzhu, Tang Tianxiu, Wang Yuanlong, Wang Zilong, Wang Zhengxin, Xie Yunqing et al. In the past five years, the Communist Party of China shot more than 50 feature films with various themes, such as "small factory owner", "transparent Shanghai", "beauty trick", "four swordsmen of Wang family" and "patriotic soul", which were incorporated into Lianhua film company in 1930.

Personal achievement

The dream teller on the sea is the pseudonym of Mr. Zhu qianju. Xiepu tide has been published for five years in Shanghai's xinshenbao. It was published in May 1921. Many of the social exposure novels about Shanghai's "Ten Mile ocean house" at that time, Zhang Ailing, a famous female writer, said at a forum on how to write a novel in 1944: "I am familiar with a dream of Red Mansions, but I have also been familiar with Lao Can's travels, marriage to awaken the world, biography of flowers on the sea, Xiepu tide, Er Ma, divorce and sunrise." the first four of her eight works were written in the Qing Dynasty, The last four works were written in the Republic of China. Er Ma and divorce were written by Lao She. Sunrise was written by Cao Yu. Xiepu Chao was written by Mr. Zhu qianju. It can be seen that they had a profound influence on the later Chinese literary world. Rereading them will help us deepen our perceptual understanding of the old Shanghai society, broaden our horizons and understand history. Perhaps this is the charm of Mr. Zhu qianju's masterpiece