Cao Dewei

essential information

Character experience

He won the best Erhu performance award in 1985.

In 1987, he won the first prize of "the first Jiangnan Silk and bamboo competition at home and abroad".

In 1993, Cao Dewei's huqin solo concert was held in Beijing Concert Hall.

In 1997, he published my opinion on erhu bowing techniques in music learning and research.

In 2007, Wang Dong, Zhao Chengwei, Li Guangliu, Liang Lingling and other performers visited six European and African countries to perform in cooperation, which was highly praised by politicians, celebrities and core media.

In 2008, he published "don't call me partial to huqin -- an analysis of Mr. Liu Tianhua's erhu" karma "in the national core media" Chinese music ".

In 2009, he published "multi perspective analysis" on the research status of Great Wall Capriccio in China music, a national core media.

In June 2011, an erhu concert for teachers and students was held in China Conservatory of music. In the same year, a "hometown trip" was held in Tianjin Concert Hall.

In 2012, he cooperated with the performer Mr. Zhang Weiliang to hold the National Concert of "happy Spring Festival".

In 2013, he cooperated with Song Fei, Wang Dong and other performers in the "National Concert for Mid Autumn Festival". In December of the same year, "Xiangyun · caodewei teacher student concert" was held in Hunan concert hall.

In 2016, Cao Dewei held a large-scale audio-visual concert for teachers and students. In April, Cao Dewei took part in the "erhu fate - Japan China cultural exchange public performance" sponsored by the Chinese cultural center in Tokyo. He led the Chinese and Japanese musicians with moving erhu and completed a concert which was sometimes graceful and sometimes high spirited. Among them, "Sakura sea" was composed just before the performance, which reflected the beautiful scenery of cherry blossom in Japan. "Deep night" is performed by Cao Dewei in Peking Opera. It combines the styles of various schools of Peking Opera, and vividly interprets the atmosphere of "how to be a concubine".

In 2018, he published three women in erhu works in Chinese music.

In 2020, he will participate in the premiere ceremony and concert of Dong Jinhan's erhu collection.

In 2021, the national core journal "China Education Journal" published "Reflections on the curriculum reform of music education theory in Colleges and Universities -- a review of" Research on vocal music teaching and music education in Colleges and universities "

Honors

In 1985, he won the second prize of "Beijing erhu Invitational Competition" and the best repertoire performance award.

In 1987, he won the first prize of "the first Jiangnan Silk and bamboo competition at home and abroad".

Performance style

Cao Dewei successively studied erhu, Gaohu, Banhu, Zhonghu, Erxian, YeHu, Jinghu and other bowstring instruments from famous huqin Master Liu Mingyuan, educator an ruli and famous Peking Opera player Zhang Suying. His performance style is exquisite and euphemistic, his timbre is beautiful, his skill is skilled, his deep understanding of the music and his rigorous "academic" style achieve the perfect unity of rationality and passion.

Foreign exchange

He has visited the United States, Germany, France, the Netherlands, Belgium, Luxembourg, Switzerland, Sweden, Portugal, New Zealand, Japan, Hong Kong, Macao and other countries and regions. His performance was well received by musicians and audiences from all over the world. He also toured Vienna, Austria, Italy, Egypt and other six countries. With the China Radio National Orchestra touring in China, he played the Jinghu solo, which was highly praised.

Main works

Research articles

Sources of references for the above research articles

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Chief editor

Audio visual works

Character evaluation

His performance was rated by professionals and the media as:

"Cao Dewei's Erhu performance has left a deep impression on people. His skillful and changeable bow and finger command the audience to listen with breath. His performance can be compared with that of violin player Perlman."

"Popular but not identical, elegant but not too polished, the interpretation of the music is full of distinct modern consciousness."