Professor Baiyun Township, Hebei Normal University

Baiyun Township

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Baiyun Township, Professor, male, Han nationality, born in 1956, is a member of Hebei Guantao, a master's tutor, enjoying the special allowance of the State Council Government, the seventh and eighth directors of China Artists Association, the founding director of Chinese painting society, the vice chairman of the ninth Hebei Federation of literary and art circles, the vice chairman of Hebei Artists Association, the outstanding expert of Hebei Provincial Administration, the librarian of Hebei literature and history research Museum, and the Central Committee of literature and history Member of the Department of the Academy of calligraphy and painting.

Resume and honors

He is good at Chinese landscape painting. His Taihang Dapo series works pay attention to the construction and expression of landscape spirit. His painting style is solemn, rigorous and simple. the work "copper wall and iron wall" was selected as the "Sixth National Art Exhibition" sponsored by the Ministry of culture of China. It was rated as an excellent work and was selected as an excellent collection of China Art Museum for exhibition in Japan. He won the first prize of literature and art revitalization of Hebei Province and won the third prize of honor. Gao Shan Yang Zhi was selected into the 7th National Art Exhibition sponsored by the Ministry of culture of China. the work "wild tune without tune" was selected into the "98 International Year of fine arts · contemporary Chinese landscape painting · oil painting landscape exhibition" sponsored by the Ministry of culture of China, and won the eighth literature and art revitalization award of Hebei Province. the work "a thousand years of wind and rain" was selected as the "soul of China - Ode to the Great Wall International Art Exhibition" jointly held by the U.S. pesterian art foundation, Canada Oriental Art assistance and development center, and Japan Shenchuan Co., Ltd., and won the only gold medal. Shuo Ye Chang Feng was selected into the "three hundred Chinese Paintings Exhibition" sponsored by China Artists Association and won the silver medal. silent years was selected into the 9th National Art Exhibition sponsored by the Ministry of culture of China and won the bronze medal. in August 2004, his work Jingshan rutaigu was selected into the 10th National Art exhibition jointly sponsored by the Ministry of culture and China Artists Association and won the bronze medal. the work "Hometown" was selected in the 11th national art exhibition jointly sponsored by the Ministry of culture and China Artists Association in August 2009, and won the nomination award. In August 2004, he was awarded the Huang Binhong prize by the Chinese Academy of Arts, Ministry of culture, and Huang Binhong International Symposium. where is the village selected in the 2nd Beijing International Art Biennale 2005. "a thousand layers of clear water walking through the Yellow Dragon" and "an iron wall" are collected by the National Museum of China, the China Art Museum, the Taiwan Mountain Art Museum, the general office of the State Council, the Ziguang Pavilion in Zhongnanhai, the Chairman Mao Memorial Hall, the Chinese Embassy in Geneva and other major institutions.

Related comments

The mountains are vast and the fields are vast. The landscape series of Baiyun Township gives us a strong visual impact with simple and vigorous brushwork and bold, honest and heavy tone. different from later generations, in the Han and Tang Dynasties, the Chinese people's aesthetic values were based on masculinity. In the late Tang Dynasty, Sikong Tu's "twenty four poems" was the first one to put forward the idea of "majestic". The sentence of "desolate oil clouds, few long wind, beyond the image, in the ring" was so broad-minded and grand. But in the Qing Dynasty, Wang Shishen thought that it was the best rule for a poet to use the words of "gathering water, awning far spring" and "not writing a word, getting wind". There is no way for the two to be separated from each other in aesthetic orientation and spiritual realm. The same is true of painting. From Wu Daozi's painting in Tang Dynasty "when he started painting quickly, the wind and rain had been swallowed up before his pen", to the "four kings" of Qing Dynasty "turning strength into softness, changing vigor into natural and unrestrained", the pursuit of "Xiao San Jian Yuan", "Jing, Jing" made the Chinese traditional painting gradually enter into the soft and small, depressed, until after entering the 20th century, there were Wu Changshuo, Huang Binhong and Fu Baoshi Pan Tianshou and other masters changed this trend with their artistic practice. the art of Baiyun township is strong and masculine. With his profound traditional skills and long-term life experience, he truly and profoundly shows the strength and spirit of Taihang Mountains and waters, and the momentum and strength of "Taihang ridge of the world". In my opinion, the realistic significance of his paintings has two aspects: one is the impact on the delicate and feminine painting style in today's painting world. since the rise of "new literati painting" in the 1980s, with the revival of traditional art forms, the remaining poison of the old literati painting, which blindly pursues lightness and softness, has revived. North and south of the river, inside and outside the Great Wall, the same, are thin lines, light color. In painting people, they have big heads and small bodies, thin legs and thin necks, or take a shower and fan, or sing poems and tea; in painting landscapes, they count the cold mountains, or look for poems on the back of a donkey, or take a piano to guard against friends. They are delicate and small, moaning without illness, and the painting world is full of old and decadent atmosphere. Since ancient times, there have been many generous and elegiac people in Yanzhao. Baiyun township's works are majestic and full of masculinity. It is a cry from the heart, a fusion of aesthetic ideal and mountain spirit, a "great man in the west of Shaanxi, holding an iron plate in his hand, singing the song of the great river to the East", a bold and uninhibited song of gale! It should become the mainstream painting style of our time.

Works collection

His works and achievements have been published and introduced in national professional core journals such as fine arts, fine arts observation, fine arts research, national painter, etc. He has published such monographs as "contemporary Chinese painters: Baiyun township", "Taihang real landscape: Baiyun Township landscape painting", "from tradition: Baiyun Township analysis of Jing Hao", "Baiyun Township art and life", "contemporary Chinese painters Research Series: Baiyun township", etc.

Appreciation of works