Wang Liang

Wang Liang

He Liang (1851-1930), whose name is Zhaonan, was born in Manchuria with red flag, and was of the Lu family of Yuhu. He is the grandson of chengling, the governor of Guizhou Province, and the cousin of Zhao Erxun. Try again and again. In his early years, he was quite negative in poetry and prose, known as the "Eight Banners talent". He served as a member of several provincial highways and went to the government after the revolution of 1911. He is familiar with the anecdotes of Qing Dynasty, and has written yetangxuan anthology and shitingzhixiaolu.

Life of the characters

He Liang (1851-1930), whose name is Zhaonan, was born in Manchuria with red flag, and was of the Lu family of Yuhu. He is the grandson of chengling, the governor of Guizhou Province, and the cousin of Zhao Erxun. Try again and again. In his early years, he was quite negative in poetry and prose, known as the "Eight Banners talent". During the period of the Republic of China, Zhao Erxun, President of the Qing History Museum, had been in the museum for several years and revised part of the Qing history draft. He mainly participated in the compilation and revision of the chronicles of the Six Dynasties, including Taizu, Shengzu, Shizong, Renzong, Wenzong and Xuantong. notes: 奭: pronunciation sh ì radical: big (outside stroke 12, total stroke 15) basic meaning: 1. Grand appearance. 2. Red. 3. Anger. 4. The appearance of dissipation. five

lastname

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Related events

Participated in the compilation and revision of the draft of Qing history. According to various historical materials describing the internal division of labor in the Qing History Museum, the compilation of Taizu Benji can be divided into three stages: first draft writing, revision and revision, and general review and revision

Wang Liang

The chief editor is Ke Shaozhen.

Contribution Summary

His calligraphy and works have been handed down all over the world.

Calligraphy works

Calligraphy work 1: good letters. The size is 22.5 * 13cm. Style = nonesrc = 78310a55b319ebc449fabd208226cffc1f17168ddata layout = block calligraphic work 2: seven character couplet in regular script. Specification: ink paper, ink color paper, couplet, vertical axis, screen axis, 121 × 30cm, 47.6 × 11.8in, about 3.3 square feet (each piece) Title Recognition: long chant holding knee Qi Sanshi, Gao Jie Meng Xin Chu Lianggong. Mr. Shifu, Mr. Wu Jianliang. Seal: unofficial Pavilion (Note: the work was sold in Hanhai calligraphy and painting special auction on May 20, 2007; participated in Huachen autumn auction in 2008; participated in Zhejiang Juncheng 2011 spring art auction on January 9, 2011) calligraphy work 3: work name:

Shuzha 1 Kai

Work size: 30x28cm calligraphic work 4: letters Liang Zhuan, modern manuscript 2 pages 1 pass paper size: 25 × 17cm calligraphic work 5: couplet

books

He wrote the following books, the original edition of which was printed and engraved.

Historical evaluation

Xu Yishi, a master of modern anecdotes, called him "one of the responsible persons in the museum". Zhang Ertian said that he was "good at compiling Manchurian documents and anecdotes of the ten dynasties. He pointed out to Chen and did not need to review Chen's books. However, he was deeply impressed with his works, liked to be different from others, and was not good at compiling. When it came to discussing things, he was sometimes original." He made great contributions to the writing and revision of the Qing history manuscripts. Zhao chenling, from the perspective of "discussing the academic organization of the Qing History Museum and the gains and losses of the compilation experience of the Qing history manuscript", focuses on analyzing the mistakes in the Qing history manuscript: the first volume of the Qing History Museum's unpublished chronicles biography manuscript album Benji contains three manuscripts of Taizu Benji in turn, and the Taipei Palace Museum document numbers are 201000001, 201000002 and 201000482 respectively (hereinafter referred to as 00:00) 1. 002, 482). 002 the cover of the manuscript is marked with“

Wang Liang

The words "Jin Zhao fan Fu Kan Ke Shao Zhen Fu Kan" in the reduplication mean that this edition is a collection of books

Wang Liang

After the reexamination, it was reexamined by Jin Zhaofan and Ke Shaozhen. The handwriting on the label on the title page of the manuscript is very scribbled, which was written by Ke Shaozhen himself.

Wang Liang

In this way, the author commented on the book of Taizong revised by Ke Shaozhen: "I can see that it can't be identified by horizontal painting and vertical erasure. I just covered Deng Xiaoxian's original manuscript and made some rough comments. In the library, the people in the library can't recognize it. If you invite Ke, Ke can't recognize it." Most of the historical errors in Taizu Benji originate from

Wang Liang

In the process of rewriting. Of course, Jin Zhaofan, Ke Shaozhen and the proofreaders before the publication of the draft of history of Qing Dynasty should also bear some responsibilities, but the main responsibility should be borne by them

Wang Liang

Commitment.

Wang Liang

In the review, it is not just a simple abridgement of the original, but a supplement. According to Zhuang Jifa, "the content of the redacted edition is mainly based on donghualu."

Wang Liang

In addition, other historical materials were used and donghualu was not carefully checked.

Wang Liang

There are mainly two kinds of historical errors in the redacted version, one is compilation error, the other is writing error. The reason is that the proofreading of manuscripts is ignored in the process of redaction and redaction. The proofreading and annotation of Qing history manuscripts also finds these errors through the way of proofreading manuscripts by manuscripts and proofreading volumes by volumes. If

Wang Liang

Most of the errors mentioned above will not appear if any of them can check the manuscript carefully. As a result, not only did the reviewers not do so, but even the original author did not compare and deliberate with his first draft when he saw the redaction. On the other hand, if

Wang Liang

If Jin Zhaofan and Ke Shao can be more careful, the quality of the compilation will be greatly improved. Considering the objective conditions such as the turbulence of the current situation, the lack of funds and so on, and the final positioning of the draft of the history of the Qing Dynasty is only a "draft", we can not blindly criticize the predecessors' careless and rash attitude in history compilation, but the experience and lessons can indeed be used for reference by the ongoing project of the history of the Qing Dynasty. (source: Study of Qing history, No.1, 2011)