Lyrics of Ma Sanli's Da Shang Shou

Talk show,

Or Chinese comic dialog

Crosstalk originated in Beijing,

It is popular all over the country.

It is generally believed that in the Qing Dynasty Xianfeng

It was formed in Tongzhi period.

It is a form of Quyi that makes the audience laugh by telling jokes or funny questions and answers.

It evolved from "Xiangsheng" in Song Dynasty.

In the late Qing Dynasty,

Crosstalk has become a modern feature and style.

Mainly in Beijing dialect,

There are also "dialect crosstalk" in local dialects.

In the process of forming crosstalk, we have learned a lot from oral skills

The strong points of storytelling and other arts are embodied in harmony,

To show the truth, the good and the beautiful with satire and jokes,

Its artistic feature is to make people laugh,

"Speaking, learning, teasing and singing" are the main artistic means.

There are three kinds of performance forms: single talk, counterpart talk and group talk.

Stand up crosstalk is performed by an actor and tells jokes;

Two actors hold and amuse each other,

Generally, there are two types: yitoushen and zimukua;

Group talk, also known as "group work", is performed by more than three actors.

The traditional repertoire mainly satirizes all kinds of ugly phenomena in the old society and reflects all kinds of life phenomena through humorous narration,

After liberation, in addition to carrying forward the tradition of satire,

There are also works praising new people and new things.

Cross talk knowledge

Talking, learning and singing

Quyi terminology. There are four basic artistic means of traditional crosstalk.

"Shuo" means telling jokes, riddles and tongue twisters;

"Learning" is to imitate all kinds of bird and animal calls, peddlers, singing and all kinds of character styles and languages;

"Tease" is to tease each other;

"Sing" crosstalk refers to Taiping lyrics.

Due to some reasons, in the past, all singing categories were classified as singing in the crosstalk performances on TV, which is wrong.

As long as Taiping lyrics are sung, others are for learning.

In cross talk, there are often programs that focus on one or two of these methods,

For example, "changing career", "drama and dialect" focus on "learning" and "singing", while "eight fan screen" and "spring lantern riddle" focus on "speaking and teasing".

Actors are often good at using some means to form different styles.

introduction

Quyi noun. The opening speech of a crosstalk actor before performing a formal program,

Sometimes it is also a small program to attract the audience's attention or point out the content of the formal program.

To live

Quyi terminology. It refers to a section of content that is used to introduce the pad words into the main topic in the performance of crosstalk, which has the function of connecting the preceding and the following.

burden

Quyi terminology. It refers to the method of organizing jokes in Xiangsheng, solo, Shandong kuaishu, etc.

When a joke is brewing and organizing, it is said to be "a burden", and when it breaks out, it is said to be "shaking the burden".

Traditionally, jokes are also called "burdens".

Three turns and four shakes

Quyi terminology. Crosstalk is one of the means to organize the burden.

It refers to the comic performance in which the characters' stories are played up or atmosphere is created by repeatedly laying the groundwork and setting off, and then the burden is shaken away to produce jokes.

A heavy head

Quyi terminology. Counterpart crosstalk is one of the ways of expression.

When two actors perform, one is the main narrator;

The other is to use the form of dialogue to help the narration, that is to say, to raise the voice. Because the plot of the story is mainly about amusing, it is called "amusing".

Mother and son

Quyi terminology. Counterpart crosstalk is one of the ways of expression. When performing cross talk,

The tasks of the two actors are basically the same, such as organizing the burden by arguing with each other.

Grasp

Quyi terminology. When performing crosstalk, storytelling, etc,

The funny content interspersed in the program is used to make the audience laugh.

Actors often grab the subject of the interruption on the spot and combine it with the content of the program to achieve good results.

Actors often grab the subject of the interruption on the spot and combine it with the content of the program to achieve good results.