Lyrics of fu na's Xiangshan shooting drum

Xiangshan shooting drum

This music is a Shaanxi Qin Zheng music style composition, the author is Professor Qu Yun of Shaanxi Normal University.

The music is composed of traditional tunes of Xi'an ancient music, such as yueergao, liuqingniang and Xiangshan shegu,

The annual "Guanxiang meeting" in Shaanxi Province is described. And with deep, internal melody with rich Shaanxi local style,

It shows the Pilgrims' piety and lofty, empty and illusory mood, as well as the sound of drum music and singing,

It's a grand occasion for people to come and worship in the mountains. It is one of the representative repertoire of Shaanxi Zheng school.

In the Adagio of this piece of music, the most important point is to explain the fingering of "chop".

On the surface of the spectrum, all the sounds to be played with "chop" are clearly marked, and must be played according to the fingering.

They are basically used in the last sentence. In adagio, there are always some suffixes. We should divide the sentences well and deal with them clearly.

In addition, the tremolo of the left hand in adagio is larger, and the glide is the key tone to express the mood.

Moreover, in adagio, the speed and rhythm of a period of finger shaking should not be too slow. Many students are easy to delay because of their poor mastery of finger shaking.

Start slowly and play faster. Don't play too fast. Just play clearly. In this way, the speed of Allegro can be shown.

Free to this section of loose plate to grasp the speed of the expansion of the use and strength of the processing. The Allegro of this piece is not very difficult,

But the speed must go up. In the double pinch period, we should pay attention not to use the same strength twice. The first time is lighter, the second time is stronger, and the last time is stronger.

In music processing, the state of playing is very important.

No matter what music you play, you should devote yourself to it. There is only melody in my heart, without any distractions,

Even in the process of playing, if you still think about what was wrong, it will affect the performance.

In addition, it is very important to understand the works, analyze the sentences and grasp the strength.

We have to go through repeated deliberation and careful training.

On the basis of careful analysis of the music, each note should have its own playing position and intensity,

They all have their own expressions and attitudes. Only when they play can they integrate rational analysis with emotional passion,

Make the music perfect