Zhong Acheng

Acheng

Acheng, formerly known as Zhong Acheng, was born in Beijing in 1949. His ancestral home is Jiangjin District, Chongqing. He is a writer and screenwriter in mainland China.

In 1984, he published his first short story chess king. In 1985, he began his career as a screenwriter of the plot movie big star. In 1986, he was shortlisted for the 7th Golden Rooster Award - Best screenwriter Award for the film "Furong Town". In 1991, he was the screenwriter of the plot movie chess king. In 1993, he worked with Hu Jinquan as the screenwriter of the mythical horror film the king of yin and Yang. In 1997, he published his prose diary of Venice. In 2002, the plot film "spring in a small town" was released. In 2006, he was the screenwriter of the biographical film Wu Qingyuan. In 2010, he published his prose "good talk, bad talk". In 2015, he was the screenwriter of the ancient costume action film "Assassin Nie yinniang", which was shortlisted for the 52nd Golden Horse Award - Best Adapted Screenplay award. In 2016, he published the collection of works of Acheng.

Character experience

Before Acheng middle school was over, the Cultural Revolution began. In his first year of high school, he stopped studying. In 1968, Acheng was sent to Shanxi to cut in line and began to learn painting. In order to sketch in the grassland, he cut in the line in Inner Mongolia, and then settled in the farm of Yunnan Construction Corps. In 1979, he returned to Beijing. After that, he helped his father Zhong nianlei write his book film aesthetics, and discussed Marx's capital, Hegel's aesthetics, the book of changes, Confucianism, Taoism and Zen with his father. After the end of the cultural revolution, recommended by fan Zeng, a Cheng was hired by world books. In 1984, he published his first short story king of chess, which won the excellent work award of selected novellas in Fujian Province and the third China excellent novellas award. In 1985, he published the article "culture constrains human beings"; in the same year, he served as the screenwriter of the plot film "big star", thus starting his screenwriting career. In 1986, he was the screenwriter of the plot film "Furong Town", which was adapted from the novel of the same name by Gu Hua. He was shortlisted for the 7th Golden Rooster Award - Best screenwriter Award for the film. In the same year, he was the screenwriter of the plot film "hurricane action"; in addition, he was the screenwriter of the plot film "Moon", which was directed by qiqingaowa. In 1986, he published the novel chess king, tree king and children king. In 1987, he was the screenwriter of the plot film "the king of children", which was adapted from his novel of the same name. In 1989, the plot film the story of three women, directed by Guan Jinpeng, was released. In 1991, he served as the screenwriter of the plot movie "chess king", which tells the story of a generation of chess king. In 1993, together with Hu Jinquan, he was the screenwriter of the mythical horror film the king of yin and Yang in the painted skin. In 1997, he published a collection of gossips. In 1997, he published the prose "Diary of Venice", which mainly describes Acheng's experience and impressions when he lived in Venice, Italy. In 1998, he published a series of short stories with prosaic tendencies, i.e. romance everywhere; in the same year, he published his prose, gossiping: Chinese secular and Chinese novels. In 1999, he published a collection of works "Selected Novels of Acheng"; in the same year, he published the prose "common sense and general knowledge"; in addition, he and Li Shuang published the novel "Shuang". In 2001, he published his prose season of memories. In 2002, his screenplay "spring in a small town" was released, directed by Tian Zhuangzhuang; in the same year, he published the novel "spring in a small town". In 2003, he published his prose century light and shadow. In 2005, he was the judge of the 62nd Venice Film Festival. In 2006, he was the screenwriter of the biographical film Wu Qingyuan, directed by Tian Zhuangzhuang and starred by Zhang Zhen; in December, he was the screenwriter of the ancient costume drama Zhenguan Zhizhi, which was co starred by Ma Yue, Jin Shijie and Ma Shaohua; in the same year, he was the screenwriter of the documentary craftsmanship in Shengshi; in addition, he published a collection of selected works of Acheng. in 2010, he published his prose good talk and bad talk. In 2014, he published his collection Luoshu River Map: exploring the origin of civilization. In 2015, he was the screenwriter of the ancient costume action film "Assassin Nie yinniang", which was shortlisted for the 52nd Golden Horse Award - Best Adapted Screenplay award. In 2016, he published the collection of works of Acheng.

Main works

Novel works

Screenwriter's works

Prose works

sample reels

Award winning record

Character evaluation

Acheng's writing style is refined, ancient and high. The occasional brushwork is extremely vivid and natural. It looks rough, but in fact it is extremely exquisite (West China Metropolis Daily). His novel is unique, short and pithy without losing the depth of thought. His sentences are simple and lively, and his short sentences are vigorous. He constructs the background picture of the novel with multiple clips of small lens. The extensive use of classical Chinese written language and monosyllabic words makes the language full of ups and downs of rhythm, which shows the original appeal of novel language in the aesthetic practice of literary and white mixed. As far as sentence patterns are concerned, his works are characterized by the combination of whole and scattered sentence patterns, classical Chinese sentence patterns and colloquial sentence patterns, forming a kind of elegant and popular taste, and freely accepted and released (review of appreciation of famous works). The common characteristics of the characters in his works are the combination of indifference, detachment and obsession. This kind of indifference corresponds to the superficial character of the characters, but obsession is the inner character of the characters, which is also Acheng's obsession and obsession with the spirit of Taoism (review of Drama House). Baidu Encyclopedia content is shared by netizens. If you find that your data content is inaccurate or incomplete, you are welcome to use your own data service (free) to participate in the correction. Go to > > now