Zhou tieheng

Zhou tieheng

Zhou tieheng (1902-1968), formerly known as Zhou Deyu, was also known as tieweng, semi deaf and irrigation gardener. The name of the hall is banlinglou, donghuzhai, yexiangting and houhouju. He was born in Jixian County, Hebei Province. He went to the northeast at the age of 13, studied painting from Qiu Yanyun at the age of 16, and went to Beijing at the age of 20. He also worshipped Qi Baishi as his teacher. He graduated from Manchuria Medical University in 1927 and then studied in Japan. He was fond of antiquity in his life. He got to know Guo Moruo and became a lifelong friend. In the aspect of painting, he is good at painting flowers and birds with heavy colors and freehand brushwork. He also paints landscapes and melts the painting methods of Qi Baishi, Wu Changshuo, Zhu Da and Ren Bonian. Also proficient in poetry, seal cutting, calligraphy. He has studied on epigraphy, ancient literature, archaeology and Guqin playing. He wrote about painting in the half deaf building, and later lived in yincao, Qingqian Yilu, gynecological Qiwei, etc. He was the chief physician of the second store of Shenyang department store and the seal cutting teacher of Lu Xun Academy of fine arts. His works include double happiness, etc.

Life of Zhou tieheng

Mr. Zhou tieheng, whose ancestral home is Yixian County, Hebei Province, was originally named Zhou Dexing. He's half deaf. Because of his addiction to Qingquan, Yan Qiju lived in Qingquan hall. Fine research celadon, also known as: "donghuzhai.". In his later years, he was also known as "yexiangting": "Dongfeng Xinshe" and so on. He was born in May 1903 and died on November 8, 1968 at the age of 66. Mr. Zhou's father is addicted to antiquity. His father was a magistrate of Rehe county. He has a rich collection of ancient coins and is good at distinguishing them. Under the influence of his father, he was good at painting when he was young. Later, he moved to Shenyang with his father. At the age of 17, he went to Beijing with his father. He studied poetry, calligraphy, painting and printing under the guidance of Qi Weng Baishi. I graduated from Manchuria Medical University as a doctor. When he studied in Japan in 1926, he met Mr. Guo Moruo and became a lifelong friend. Later, he gave poems and paintings to each other. In his early years, he was a professor of northeast art college. After liberation, he served as a consultant of northeast cultural relics management office, a member of China Artists Association, vice chairman of Liaoning Art Association and vice chairman of Shenyang Federation of literary and art circles.

Mr. Zhou has research achievements in archaeology, ancient Chinese ceramics, painting, ancient musical instruments, etc. His works include textual research and interpretation of Chinese Guqin, textual research of Dongyao, Fuwei of gynecology department, banlinglou painting, banlinglou yincao, etc. Mr. Chen's paintings, calligraphy and seal cutting have been exhibited in various exhibitions and collected in China Art Museum, museums and art institutes. In 1948, when he was a consultant to the Northeast cultural relics administration, he not only donated 200 pieces of cultural relics, but also mobilized others to donate them. When resisting U.S. aggression and aiding Korea, he donated a hundred copies of the rubbings of his book "half deaf Lou Yin Cao" to the charity sale to make contributions to resisting U.S. aggression and aiding Korea, which is also called a good story in the printing circle.

Qing Qian Yi Lu

Mr. Zhou has a deep research on ancient springs. Mr. Chen believes that the Qing Dynasty is the best and the Qing Dynasty the most. The disorder of money law and the complexity of currency system are beyond comparison. The frequency of foreign aggression and the amount of money used were beyond the capability of the dynasties. Although the Qing Dynasty's money is so vast, it is hard to see the whole of it. Therefore, after collecting the coins of the past dynasties, he devoted himself to the collection and research of Qingquan. Since 1938, we have collected as many as 500 pieces of money from the ancestors and mothers of the Qing Dynasty. Mr. Wang Zhiqi's work is engraved as "a fortune 500". This seal is a long postscript saying: when you visit the ancient springs of various dynasties in your spare time, you will find that they are all fake, but the big springs of Qing Dynasty are easy to distinguish. Since July, Wuyin has collected as many as five hundred springs in the Qing Dynasty. My friends call me a rich man. I can't avoid sighing when I play with things and lose my will. And engraved a seal said: "Qingquan hall.". Mr. Zhang once engraved a seal of "the first treasure of the deaf Weng", with a postscript of "seven Jue", which said: "the snow Pavilion in Su Lou is fond of searching for the poor, and the holy products of Qianlong have not been collected yet. Since he was hidden by the deaf Weng, Xiao Ping has no words to bow his head.". His collection of springs is engraved with ten pieces: "notes on the collection of the treasures of the Qing Dynasty banknote board currency", "miraculous products", "deaf wengbao play", "deaf public collection", "Qingquan Zhibao", "the first rarity" and "tongshentang". Mr. Zhou's deep love for springs and exquisite collection of springs can be seen in India.

Qing Qian Yi Lu was completed in 1956. It was added and deleted several times, and many of its manuscripts were changed. Many changes can be seen in the original manuscript. The book contains the coins of the later Jin Dynasty, the peasant uprising in the late Ming Dynasty and the early Qing Dynasty and the coins of the Southern Ming Dynasty, the coins of the Qing Dynasty, the coins of the Taiping Heavenly Kingdom, the silver cakes for military pay and the coins used by the private firms in this period. All of them are precious rubbings, and most of them are unknown to outsiders. For example, the gold-plated Xianfeng Yuanbao is the qianzu coin, which is made of two liang pieces of refined copper, and the central gold mouth does not open. Qixiang treasure when ten ancestors money, can be called Spring Star Phoenix. At the beginning of emperor Mu Zong's accession to the throne, Qixiang proposed to change the name of the year. It was made of Qixiang Tongbao Xiaoping, a treasure worth ten Liang. Later, it was changed to Tongzhi and ordered to be destroyed. The money was rare, and it was even more rare to be the money of emperor Mu Zong. According to Mr. Ma Dingxiang, only Mr. Zhou has a circle on the Manchu screen of destiny. In this book, we can see the fine extension. In addition, the book also contains a big coin, the treasure of Tiancong in Manchu cursive script, which is also rare.

In the argument, this book also has many original opinions. For example, the casting time of Tianming coins in the later Jin Dynasty is recorded as the first year of Tianming in relevant historical materials. After detailed textual research, Mr. Zhou believed that the time of casting money by destiny should be the sixth year of destiny, and the place was in Liaoyang, not in hetuala (now Yongling commune, Xinbin County, Liaoning Province). Another example is that Manchu "national treasure circulation" and "East Asia money records" are listed as Uighur money, which is not recognizable. In his opinion, "in the second year of Qianyuan reign of emperor suzong of Tang Dynasty, the Uighur state made coins with brown copper and fuzzy characters. Most of the coins were made after the Kaiyuan Tongbao system Most of the money in the western regions was made of red copper, which was not refined. The meat was covered with sand, and the sand was not flat. The characters were rough, angular and bald. The trace was close to running script. Sometimes it was like cursive script, which had no beauty of the central Plains. The quality of the coin is red copper, with clear system, regular script and neat outline. In terms of copper dissolving method, it is the same as Tianming Tiancong coin. In terms of calligraphy, it is indeed Tiancong coin. Mr. Wang also took the inscription of "Dahai" as evidence, and determined that the money was auspicious language money in the early Qing Dynasty. This book is the result of Mr. Zhou's energy, which can be said to be well intentioned. There are more than 50 kinds of Chinese and foreign documents, such as coin theory, history, annals, quanpu, Jiyao, tongkao, etc. He made full use of the favorable conditions of his long stay in the north and made the most efforts to collect and exchange Qing Dynasty coins. Nine out of ten rubbings shown in the book are collected by Mr. Zhang, and others are presented by Tonghao.

Future generations

His son Zhou Weixin: scholar. Calligraphers and painters. Born in 1950, he is deputy director of the academic committee of Shenyang Palace Museum, director of the Hospital Advisory Committee and researcher. He is a member of the Qing palace history society of China and the Museum Society of China.

His works include: Selected Works of Zhou tieheng, Zen and artistic conception, collection of cultural relics and calligraphy volume of Shenyang Palace Museum (Volume I and II), origin of painting and calligraphy of Shenyang Palace Museum, chronicle of Mr. Zhou tieheng, collection of scriptures of JinSu mountain by Emperor Qianlong of Qing Dynasty, collection of Wang Jian's imitation of various landscapes in song and Yuan Dynasties - also on Wang Jian's painting achievements in the early Qing Dynasty, and on Chu suiliang's paintings Kaishu has published more than 60 research papers on history, art and aesthetics.

Right 1: with Premier Li Keqiang

Right 2: Zhou Weixin and his works

Chinese PinYin : Zhou Tie Heng